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Jean Baptiste van Loo
The Triumph of Galatea
mk60
Oil on canvas
35x45 1/2"
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Jean Baptiste van Loo
Portrait of Augusta of Saxe-Gotha
Date ca. 1742(1742)
Medium Oil
cyf
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Jean Baptiste van Loo
Retrato de Felipe V e Isabel Farnesio
1743(1743)
Medium Oil on canvas
Dimensions 181 x 260 cm (71.3 x 102.4 in)
cyf
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Jean Baptiste van Loo
Portrait of Maria Teresa Rafaela of Spain
1740(1740)
Medium Oil on canvas
cyf
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Jean Baptiste van Loo
Portrait of Princess Augusta of Saxe Gotha
1742(1742)
Medium Oil
cyf
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Jean Baptiste van Loo
Portrait of Pierre Carlet de Chamblain de Marivaux
1743(1743)
Medium Oil on canvas
cyf
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Jean Baptiste van Loo
Portrait of Pierre Carlet de Chamblain de Marivaux
1743(1743)
Medium Oil on canvas
Dimensions 63 x 52 cm (24.8 x 20.5 in)
cyf
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Jean Baptiste van Loo
Princess Augusta of Saxe Gotha
1742(1742)
Medium Oil
cyf
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Jean Baptiste van Loo
Portrait of Pierre Carlet de Chamblain de Marivaux
1743(1743)
Medium Oil on canvas
Dimensions 63 x 52 cm (24.8 x 20.5 in)
cyf
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Jean Baptiste van Loo
Augusta van Saksen Gotha
1742(1742)
Medium Oil
cyf
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Jean Baptiste van Loo
Portrait of Louis XV of France
18th century
Medium Oil on canvas
cyf
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Jean Baptiste van Loo
Portrait of Louis XV of France
1728(1728)
Medium Oil on canvas
Dimensions 304 x 180 cm (119.7 x 70.9 in)
cyf
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Jean Baptiste van Loo
William Frederick of Orange Nassau
1838(1838)
Medium Oil
cyf
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Jean Baptiste van Loo
Princess Amellia of Great Britain
1738(1738)
Medium Oil on canvas
Dimensions 125 x 97 cm (49.2 x 38.2 in)
cyf
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Jean Baptiste van Loo
Portrait of King Louis XV
Date c 1727
cyf
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| Jean Baptiste van Loo
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Flemish Painter, 1684-1745
was a French subject and portrait painter. He was born in Aix-en-Provence, and was instructed in art by his father Louis-Abraham van Loo, son of Jacob van Loo. Having at an early age executed several pictures for the decoration of the church and public buildings at Aix, he was employed on similar work at Toulon, which he was obliged to leave during the siege of 1707. He was patronized by the prince of Carignan, who sent him to Rome, where he studied under Benedetto Luti. Here he was much employed on church pictures, and in particular executed a greatly praised Scourging of Christ for St Maria in Monticelli. At Turin he painted Charles Emmanuel II, Duke of Savoy and several members of his court. Then, moving to Paris, where he was elected a member of the Acad??mie Royale de Peinture et de Sculpture, he executed various altar-pieces and restored the works of Francesco Primaticcio at Fontainebleau. In 1737 he went to England, where he attracted attention by his portrait of Colley Cibber and of Owen McSwiny, the theatrical manager; the latter, like many other of van Loo's works, was engraved in mezzotint by John Faber Junior. He also painted Sir Robert Walpole, whose portrait by van Loo in his robes as chancellor of the exchequer is in the National Portrait Gallery, London, and the prince and princess of Wales. He did not, however, practise long in England, for his health failing he retired to Paris in 1742, and afterwards to Aix, where he died on 19 December 1745.
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